![]() Born and raised in Birmingham Lucy currently lives and works from her studio close to Hackney Marshes, East London. Recurring themes of opposites using a blend of analogue and digital processes explore interactions with the natural and the hyperreal and blur the lines of what is real and imaginary”. I use various ranges of paints in the video but have included a guide at the start to convert. The movement of paint and the unexpected imperfections of printmaking give greater expressive depth to my work. My in-depth guide on how to paint a Slaanesh Keeper of Secrets. “Working digitally in design has given me huge creative scope over the last 25 years but I felt I wanted to return to a more organic process. Through her use of emotive colour and expressive brushstrokes she captures a personal response to the energy and beauty of the urban-rural landscape and prompts interactions that ‘feel’ rather than ‘see’. ![]() Inspired by the surrounding landscape Lucy is fascinated by the use of colour and how it can influence feeling and change perception. It is something that is intuitive to me, I have a strong connection to it…” In 2020, Lucy enrolled in an experimental printmaking course reigniting her passion for painting and printmaking and has shifted focus from design to her artistic practice. “I have worked with colour for many years as a print designer and trend consultant in the fashion & sportswear industries. ![]() She later embraced digital processes which launched her into the world of design and printed apparel. On graduating with a Textile Design degree from Nottingham Trent University in 1992, Lucy moved to London and established her first print studio in Shoreditch using traditional screen-printing methods combined with hand painting. Her work is abstract and semi-abstract, often combining graphic form with layers of gestural brushstrokes. She did however continue creating work and this new body of work is something she is excited to showcase.Lucy creates vibrant contemporary landscapes using a mixed media approach focusing on printmaking processes and painting. I base all my skin recipes around this style and tweak the colour I add.Hope you enjoy the videoSlaanesh Warham. Exhibiting widely in the UK and also in Europe during the 80’s and 90’s Melanie took a break from exhibiting when her children (who both have Tourette syndrome) were younger. Animals and Pets Anime Art Cars and Motor Vehicles Crafts and DIY Culture, Race, and Ethnicity Ethics and Philosophy Fashion Food and Drink History Hobbies Law Learning and Education Military Movies Music Place Podcasts and Streamers Politics Programming Reading, Writing, and Literature Religion and Spirituality Science Tabletop Games. Painting the face on the Keeper of Secrets. Universal themes of love, loss, isolation, frustration and hope are explored in a rich and patterned surface Recently her work has journeyed from the familial and domestic to the ritual, she explores a playful narrative to create emotive images, both immediate and primal. Melanie’s work is a delicious mix of both serious and playful. A lot of Slaaneshi kitbashes use the Trygon/Mawloc kit because of that sexy snake body and because its like half the price of the AoS Morathi kit (which would actually make a good KoS/Slaaneshi Daemon Prince completely unmodified). The perfect event for big kids at heart with face painting, games and so many animals to see.a great way to spend a summer evening. Although Melanie’s practice is based in painting, she is now also finding resonance in installation and performance collaborations for which she has just received major Arts Council funding. Her current work creates spaces which are both contemplative and, conversely, uncomfortable. The process is revealed, the journey is part of the final image. Rediscovering something half-forgotten, moments and memories explored through sanding, scratching and removing part of the painted surface. Melanie’s work explores memories both recent and distant, as she covers then reveals a figure often standing in for her.
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